In Aesthetics, narrative, form, Architecture, Austria, Books and libraries, Constitutional law, Cross-cultural encounters & comparisons, Environment, Europe, Law and film, Law and music, Video on July 19, 2016 at 12:42 pm
The latest video in my series about Austrian concepts of law and the Austrian experience of landscape is called “Preservation Waltz.” Rare books, forests, and domestic architecture. Sustainability is the key principle:
I discuss the video in this guest post on Environment, Law and History.
In Books and libraries, Video on May 10, 2016 at 11:16 am
As Mike Widener happily reports today in his blog, our short-short iPhone video “Putting Together a Book Exhibition” has won this year’s best video prize in the “Day in the Life” competition of the American Association of Law Libraries. The video documents the exhibition about illustrated law books that Mike and I are putting together for the Grolier Club in New York.
N.B.: the exhibition opening date was recently moved forward from February 2018 to September 2017. We hope to see you there!
In Aesthetics, Aesthetics, narrative, form, Austria, Books and libraries, Constitutional law, Economic regulation, Environment, Europe, Law and film, Law and music, Legal Philosophy, Video on February 27, 2016 at 11:41 am
I’m pleased to share the latest video from my developing film about law and landscape in Austria. This segment is called “Florian & Friends Talk about Purity”:
The video is about water, water law, Austrian identity, legal philosophy, concepts of the state, ideas of the public, approaches to time and tradition, metaphor, and some great old books. Plus, there’s a cameo appearance by a sweet Alpine cow.
In Books and libraries, Video on January 15, 2016 at 6:56 pm
I turned on my iPhone today as Mike Widener and I were solving a little problem for our exhibit “Law’s Picture Books,” to open at the Grolier Club in New York in September 2017. This is what the phone recorded:
April 21, 2016: The date of the exhibition has been moved forward from February 2018 to September 2017. This post and the video have been changed to reflect the new timetable.
In Aesthetics, narrative, form, Books and libraries, Constitutional law, Cross-cultural encounters & comparisons, Europe, Video on January 5, 2016 at 9:18 am
Why is a basic doctrine of Austrian constitutional law named after one of the central features of the Austrian landscape? A conversation with two far-flung Austrian legal scholars:
This video will be incorporated into my film “Wood, Water, Stone, Sky, Milk,” which grew out of the semester I spent in Salzburg as a Fulbright scholar.
In Aesthetics, Books and libraries, form, Law and film, Law and music, narrative on November 16, 2014 at 10:17 pm
My latest video is about rare books, jazz, the passage of time, and old movies … and the law reports of the great jurist Edward Coke:
For a 1080p version for the most current systems, click here. For multiple formats on my YouTube channel, here (select the settings tab on the lower-right corner of the frame—that’s the wheel icon, the third icon from the right).
In Aesthetics, Books and libraries on September 15, 2014 at 6:39 pm
OK, so it’s a long way off, but I hope you’ll mark your calendars for three years hence. That’s when an exhibition I’ll be co-curating with Mike Widener of the Yale Law Library is set to open at the Grollier Club in Manhattan. The club is “America’s oldest and largest society for bibliophiles and enthusiasts of the graphic arts.” Mike and I recently heard the good news that our proposal was accepted.
The exhibit is called “Law’s Picture Books: The Yale Law Library Collection.” Yes, it’s true: “law books” and “illustrations” are two things you don’t typically associate with each other. After all, law presents itself as based in the Word—as logocentric. And let’s face it: many law books are a visual snooze. Yet law’s application to the actual world of people and things generates a tandem, if often ignored, figurative impulse in legal books.
The exhibit will invite visitors to explore the incredible range of responses to this central tension at the heart of law as a social phenomenon—namely that law mediates between abstract rules and the material world, between ideals and the everyday—and it will do so by bringing together a fantastic array of beautifully illustrated books Mike has been collecting since 2006 as the law school’s rare book librarian.
See you there!
April 21, 2016: the date of the exhibition has been moved forward to September 2017. The headline of this post has been changed to reflect the new timetable.
In Aesthetics, Aesthetics, narrative, form, Books and libraries, form, Gender, Law and film, Law and literature, Method, narrative, Video on September 13, 2014 at 8:38 am
In part three of “Walking with Horatio Alger,” I take a train ride to Philadelphia’s Chinatown, spend an afternoon in a lonely academic library, drive to a Massachusetts cemetery while listening to Fats Waller, and relax at a party with a bunch of fun-loving kids. How can video help bring a 1909 edition of Ragged Dick back into some of its original spatial and temporal relationships?
Here’s the complete video:
Here are links to individual sections: part one; part two; and—the latest—part three.
In Aesthetics, narrative, form, Books and libraries, Conversations, Video on July 6, 2014 at 9:58 pm
In my latest video, an eighteenth-century Italian legal treatise about water inspires some thoughts about law, rare books, and the passage of time. The video is part of a series I’m developing about rare law books. You can view the video here:
I’ve also posted the video on my new channel on Vimeo, to which I’ll be posting all my videos in the future.
In Aesthetics, narrative, form, Books and libraries, Conversations, Law and film, Video on May 27, 2014 at 6:25 pm
I’ve made a new video—about Blackstone’s Commentaries. It’s also about storytelling form in legal history. My sister-in-law once named a fish Blackstone, which I thought was a very nice sign of respect to the great eighteenth-century explicator of the common law, but the fish plays no part in this video. But Humphrey Bogart does. And so does Orson Welles. You can watch the video here: