Mark S. Weiner

Archive for the ‘Method’ Category

A publisher, a library, a cemetery, a party

In Aesthetics, Aesthetics, narrative, form, Books and libraries, form, Gender, Law and film, Law and literature, Method, narrative, Video on September 13, 2014 at 8:38 am

In part three of “Walking with Horatio Alger,” I take a train ride to Philadelphia’s Chinatown, spend an afternoon in a lonely academic library, drive to a Massachusetts cemetery while listening to Fats Waller, and relax at a party with a bunch of fun-loving kids. How can video help bring a 1909 edition of Ragged Dick back into some of its original spatial and temporal relationships?

Here’s the complete video:

Small Blank Space

Here are links to individual sections: part one; part two; and—the latest—part three.

 

 

Liberal Society and the Dialectic of the Clan

In Law and literature, Method, Rule of law, Rule of the Clan, State development on February 1, 2014 at 8:33 am

Bicycles in Rotterdam The Erasmus Law Review has published a special issue on legal pluralism edited by Sanne Taekema of Erasmus Law School in Rotterdam and Wibo van Rossum of the University of Utrecht. I contributed an essay in which I reflect on the intellectual context in which I wrote The Rule of the Clan and try to recuperate a culturalist approach to the study of the rule of law.

The introduction to the issue can be found here. My essay, “Imagining the Rule of Law in Nineteenth-Century Britain: Liberal Society and the Dialectic of the Clan,” can be found here. The links are to the website of international publisher Eleven Journals.

Here’s how my contribution begins:

“In this essay, I provide a historical and theoretical framework for understanding the imaginative relation between the liberal rule of law and the kin-based form of socio-legal organization I call ‘the rule of the clan’ – a classic example of law created ‘from below.’ Specifically, I believe that a culturalist disciplinary perspective reveals that the modern liberal state and its more centralized rule of law always stand in an ironic, dialectical relation to the rule of the clan as a legal form. Liberal society, that is, nurtures itself through an anti-liberal utopian imaginary.

“This article provides an intellectual history backdrop for theorizing that dialectical relationship by examining two contrasting ways in which nineteenth-century British intellectuals imagined the rule of law. Following the work of Charles Taylor and, more specifically in the legal field, Paul Kahn, my goal is to depict a social imaginary of modern liberalism that has been neglected within contemporary liberal theory – and, in doing so, provide a way to appreciate the cultural foundations of liberal legality. The article considers the stories that nineteenth-century British intellectuals told about the relation between the rule of law and the rule of the clan as a way to think about the rule of law today. It thus tacks between three different shores: the world of legal pluralism (the rule of the clan), the world of nineteenth-century British analysis of the rule of the clan and the contemporary relation between culture and modern liberal society.”

I associate the “culturalist approach” to the rule of law with a group of nineteenth-century intellectuals I describe this way: “Writing before the full professionalization of the disciplines, these men forwarded a vibrant if unsystematic form of analysis that sought to describe in precise, anthropological detail the cultural foundations of the new liberal nations they were seeking to wrest into being, and they were attentive to the aesthetic qualities of liberalism and its legal traditions.”

In Britain, the group includes the novelist Walter Scott. Internationally, it includes Domingo Sarmiento in Argentina, Jón Sigurðsson in Iceland, and István Széchenyi in Hungary.

Erasmus University

Odds & Ends

In Method, Rule of the Clan on September 27, 2012 at 10:34 am

A few odds and ends today.

First, I’m very happy to report that The Rule of the Clan now has its second jacket endorsement! The blurb comes from Rogers Smith, Christopher H. Browne Distinguished Professor of Political Science at the University of Pennsylvania. Smith writes: “The Rule of the Clan is a delight to read—an engaging tour of societies in which kinship groups have been the primary form of social organization, from Anglo-Saxon England to medieval Iceland to southern Sudan, modern India, the Philippines, and much more. It is also an insightful meditation on what proponents of individual freedom must grasp if they are to realize their aspirations in societies made up not of rational abstractions, but people like us.” For the first endorsement, from Ambassador Akbar Ahmed, see here.

Second, for those of you reading Worlds of Law regularly, I thought I’d suggest that the best way to follow the blog is to sign up for the automatic email announcements of new posts—a really handy feature of the website design. All you have to do is enter your address below under “Follow Worlds of Law via Email.” I don’t expect to post more than three times each week, so you won’t be flooded with messages, and you can unsubscribe at any time. Read the rest of this entry »

Of Mexico, Blasphemy, and the “Feel-Clash” of Legal Difference

In Aesthetics, narrative, form, Blasphemy, Cross-cultural encounters & comparisons, Freedom of speech, Islam, Law and literature, Method, Mexico, Pakistan on September 26, 2012 at 7:09 pm

Last week I attended an exciting talk by the journalist David Lida, who for over twenty years has documented everyday life in Mexico, particularly Mexico City, in ways few other writers are able to do (because Lida has both great compassion and serious nerve). During the event, Lida read from the manuscript of a semi-autobiographical novel, and an episode he recounted nicely illuminates an issue I’ll be examining centrally on Worlds of Law.

In addition to his career as a writer, Lida has an unusual side job. He works as a “mitigation specialist” for attorneys representing Mexicans in the United States who are facing the death penalty. What this means, in essence, is that he unearths the back-story of people who have been accused or convicted of capital murder to help persuade courts to show them leniency—if a sentence of life without the possibility of parole be can called lenient. In practice, the job requires Lida to travel to humble, sometimes dangerous places and persuade strangers to reveal intimate details about other people’s lives: about their friends, parishioners, cousins, brothers, and sons. He then stitches those fading snapshots together into a narrative for American defense lawyers.

It is work that requires moral and physical bravery, a surplus of “negative capability,” and a skilled pen. Read the rest of this entry »